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Joe Biden, Jo Koy, and the “Beef-y” Golden Globes

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I’ll get to the “Beef” at the Golden Globes, and the performance of comedian Jo Koy, all key historical Asian American first moments. But is anyone surprised there were no real political speeches given at the awards event on Sunday night?

Not a peep for the earth, global warning, or any of the world’s geopolitical hotspots, pro or con. No calls for a ceasefire. Or in Koy’s case, cease-monologue.

There were only words of gratitude from the winners and those lucky enough to be in the room.

And that’s OK, because the crucial political speech we need for 2024 may have been given by President Joe Biden last Friday.

On the eve of Jan. 6—the third year after insurrection day in America, the most threatening anti-government violence in the U.S. since before the Civil War—Joe Biden let everyone know what’s at stake in the 2024.

“Whether democracy is still America’s sacred cause is the most urgent question of our time,” said Biden. “And that’s what the 2024 election is all about.”

Make no mistake. Democracy is on the ballot, and so is your freedom, the president said. “The alternative to democracy is dictatorship. The rule of one, not the rule of we, the people.”

The rule of one? That would be Trump.

“[Donald Trump] is willing to sacrifice our democracy to put himself in power,” said Biden as he contrasted Trump’s campaign with his own. “Our campaign is about America. It’s about you. It’s about every age and background that occupy this country.”

Which means America is all about diversity, equity and inclusion. And guess which end of the political spectrum is mounting a full-scale attack on that?

The history of Jan. 6, 2021 is a somber one with more than 1,200 people charged with assault, and nearly 900 of them convicted or pleading guilty. “The whole world watched in disbelief and Trump did nothing,” Biden said as he went over the history, noting how Trump calls insurrectionists hostages and patriots.

Like I said, if you haven’t read or watched the speech, do so now: https://www.youtube.com/watch?v=jobw57hsu6w. Biden’s not acting but deserves a Golden Globe. The situation is for real.

In 2024, if you make every day a commemoration of Jan. 6, you’ll never forget the importance of your vote this coming November.

NO SHORTAGE OF FREEDOM AND DIVERSITY AT THE GLOBES

I’ve been covering representation issues for years in my “Amok” columns. This was one of the few awards shows where diversity was on full display from start to finish. Perhaps the most historical was Lily Gladstone, the female lead actress in Martin Scorsese’s “Killers of the Flower Moon.”ICT-Indian Country Today called Gladstone the first Native woman to win the Golden Globe award for best actress in a dramatic film.

Latinx? Barbie’s America Ferrara was present as nominee and presenter. African Americans?From Da’Vine Joy Randolph in “The Holdovers” to Ayo Edebiri in “The Bear,” new emerging talent was honored.

And then there was “Beef.”

To Biden’s earlier point about democracy and dictatorship, would a “Beef” be possible in, say, North Korea?

Nope. But look what happens when South Korean director/writer/ executive producer Lee Sung Jin collaborated with Asian Americans like Ali Wong and Steven Yeun. It was historic with Golden Globes for all.

As a series, “Beef” goes deep into a sector of Asian American life we rarely see. Evangelicals in California’s Orange County. They have great music. I’d say it’s worth binging every year. The only thing I didn’t like was repeated references to “the Filipinos.” But that’s OK. David Choe was fearful of them. And it was a joke. I get it.

Which brings us to the night’s host, Jo Koy.

Never met him. But I’m defending the brother, the first Filipino Asian American ever to host the Golden Globes. That’s not insignificant in show business.

As a fellow firster too (I was the first Filipino Asian American to host a national news show), I was cheering him on. The dude was funny, and he got under the thin skin of many in the audience when he poked fun at Taylor Swift.

“We came on after a football double-header,” joked Koy. “The big difference between the Golden Globes and the NFL? On the Golden Globes, we have fewer camera shots of Taylor Swift.”

It was a barb worthy of comedy and would have been a solid 3- or 5-second laugh, if Koy hadn’t out of nervousness cut the bit short and started apologizing for the joke.

He did that for a few of his jokes. But that one hit hard. Proof? Off stage, reports say Emma Stone, a Globe winner, felt compelled to rally to the defense of her sister Swift, calling Koy an a-hole. There are others writing Koy was the wrong host for the show.

Caribou manure.

They don’t understand comedy.

When you go to the Globes, you’re fair game as Hollywood elites lined up as ducks in a row for the host’s monologue.

The only thing that would have made Koy’s appearance perfect was if Swift’s suitor, Kansas City Chiefs tight end Travis Kelce were actually there to do a Will Smith number and punch out Koy.

Now that would have blown up the internet.

So, did Koy really bomb like many are suggesting? A Vanity Fair headline, “Jo Koy’s Jokes Draw Stony Silence at the Golden Globes 2024,” doesn't apply to his whole ten-minute set.

I guess it's all about taste. Why you say "Oppenheimer" and I say "Barbie."

No, Koy did an admirable job given he was just announced in December as the host. He wasn’t as controversial or insulting as Ricky Gervais. Koy’s nerves just seemed to get the better of him, as he played up how he’d watched the Globes growing up, and gee look at all the stars in the room. Instantly, he became an uncomfortable gawker. He acted like he didn’t belong.

But he did. It was almost like a case of comedian imposter syndrome.

Koy scored more when he was edgier.

When he joked about “Killers of the Flower Moon,” director Martin Scorsese’s Native American drama, Koy praised the cast, including Gladstone, who would by night’s end become the first Native American to win best actress in a motion picture. A big deal.

“The one thing I learned about that movie is that white people stole everything,” said Koy to more laughs. “100 percent of everything. You took the land. You took the oil. You took the premise of the movie.”

That was a solid 4-second laugh, which ended abruptly when someone in the crowd, maybe Scorsese sitting in the front, said it was his premise.

“That was your premise?” Koy asked aloud. “It’s just that the room is really white.”

But Koy struck a nerve. That used to be known as a comedian’s job. But apparently, not in the age of cancel culture.

So Koy may not have been as great as he’s been in performance, but not so terrible as some reports are saying the morning after.

He got in a Filipino accented joke talking about his mother’s love for Meryl Streep. He proclaimed his Filipino-ness in a joke about how “the Golden Globes wanted to honor my culture, so for the very first time they served sushi.”

Then the punch. “But I’m Filipino. We cook our fish.”

He even got a solid laugh when he went back to Streep mimicking a comical what-if scene where she proclaims, “Wakanda Forever.” That visual got a big laugh.

Jo Koy struggled with a crowd that included Timothee Chalamet nuzzling with Kylie Jenner. But he hung in there.

He even closed the show the way I close every one of my Emil Amok’s Takeouts. It’s a Filipino thing?

But there was nothing for him to be ashamed about on an historic night where American showbiz seemed to have the look that Joe Biden talked about in his Jan. 6 speech.

The Globe winners had that look of our American democracy.

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NOTE: I will talk about this column and other matters on “Emil Amok’s Takeout,” my AAPI micro-talk show. Live @2p Pacific. Livestream on Facebook; my YouTube channel; and Twitter. Catch the recordings on www.amok.com.

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Emil Guillermo is an independent journalist/commentator. Updates at www.amok.com. Follow Emil on Twitter, and like his Facebook page.

The views expressed in his blog do not necessarily represent AALDEF’s views or policies.

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